Carl Jung's Psychology and New Results
In the beginning, Jung was concerned that his ideas were predicting the beginning of a psychosis. But on later reflection and earth activities, he thought they were caution him concerning the approaching earth conflict, which began in August of 1914. Immediately after these worrisome photographs, Jung described dealing with a time of serious turmoil and self-reflection, attempting to find a method through the landscape of their own dreams, his dreams, and their relationship to his living, to his work, and to political and social functions unfolding during Europe. In his autobiography he wrote: "I was living in a consistent state of stress; usually I thought as if gigantic prevents of rock were tumbling down upon me. One thunderstorm followed another." **
First we require to place Jung's dreams in to the situation of his life at the time. Jung was in a turbulent change; he was making the "ordinary earth" of Freud's psychology and striking out by himself, starting to enter the forest where there is number path. He was going into the unknown and in to his traditional life, and then he has the visions.
Next we have to imagine the pictures and the geography in his perspective as the floor of his psyche, the landscape of his life at that time. And, following Jung's well-known admonition to "keep your ideas at the door," we is going to do our best allowing the photos to talk for themselves. If you're to assume being the "monstrous flood," you're an elemental, effective, unstoppable, natural power that some strong cataclysmic occasion has established a surprise wave, a spiritual tsunami, moving up out and on the land. The ideological walls of convention can't hold back or contain this aroused sea. From an alchemical perception, the waters dissolve Jung's former life therefore that the new being, a far more genuine Jung can emerge.
For Jung, lots of Freud's constructs concerning the unconscious and desires, the structures that had contained Freudian psychology were collapsing. Today the ton begins to feel more like Jung's creative life and all that it contained hitting theaters, freed from the constraints of Freud's psychology--opening the flood gates of his potential. The seas protect all the "low-lying lands," which may mean all the normal surface of popular psychology where nothing sticks out; the regions of Jung's life where he believed he had to lay low, adjust, remain on a level enjoying field with Freud were today in chaos. Carl Jung
Jung lived in Switzerland, his home and wherever, in his dream, the mountains "became larger and larger to protect our country." The dream's growing mountains about Jung's home-land may properly be expressing that by climbing above the low-lying places, by ranking out together with his possess philosophy, that his "homeland," indicating his living, his authenticity, and his creative possible will certainly be protected. The ton is following the low-lying lands--conformity and the tendency in most of us to pay our creative ideas, telling ourselves, "That thought won't work. What makes you think you possibly can make any difference anyhow? We're afraid to go against the world's acknowledged doctrines, to walk upstream against the present of popular ideas. Therefore we "set low," keeping our real living in exile in the "low-lying" land. We are afraid to "exist," which also means to "stand out."
First we require to place Jung's dreams in to the situation of his life at the time. Jung was in a turbulent change; he was making the "ordinary earth" of Freud's psychology and striking out by himself, starting to enter the forest where there is number path. He was going into the unknown and in to his traditional life, and then he has the visions.
Next we have to imagine the pictures and the geography in his perspective as the floor of his psyche, the landscape of his life at that time. And, following Jung's well-known admonition to "keep your ideas at the door," we is going to do our best allowing the photos to talk for themselves. If you're to assume being the "monstrous flood," you're an elemental, effective, unstoppable, natural power that some strong cataclysmic occasion has established a surprise wave, a spiritual tsunami, moving up out and on the land. The ideological walls of convention can't hold back or contain this aroused sea. From an alchemical perception, the waters dissolve Jung's former life therefore that the new being, a far more genuine Jung can emerge.
For Jung, lots of Freud's constructs concerning the unconscious and desires, the structures that had contained Freudian psychology were collapsing. Today the ton begins to feel more like Jung's creative life and all that it contained hitting theaters, freed from the constraints of Freud's psychology--opening the flood gates of his potential. The seas protect all the "low-lying lands," which may mean all the normal surface of popular psychology where nothing sticks out; the regions of Jung's life where he believed he had to lay low, adjust, remain on a level enjoying field with Freud were today in chaos. Carl Jung
Jung lived in Switzerland, his home and wherever, in his dream, the mountains "became larger and larger to protect our country." The dream's growing mountains about Jung's home-land may properly be expressing that by climbing above the low-lying places, by ranking out together with his possess philosophy, that his "homeland," indicating his living, his authenticity, and his creative possible will certainly be protected. The ton is following the low-lying lands--conformity and the tendency in most of us to pay our creative ideas, telling ourselves, "That thought won't work. What makes you think you possibly can make any difference anyhow? We're afraid to go against the world's acknowledged doctrines, to walk upstream against the present of popular ideas. Therefore we "set low," keeping our real living in exile in the "low-lying" land. We are afraid to "exist," which also means to "stand out."
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